Thursday, July 26, 2012
Tuesday, July 24, 2012
Stretching Driftwood B/W Painting from Photograph by C.T. Rasmuss
"Stretching Driftwood" in acrylic, 2005; by C.T. Rasmussen.
A good way to handle desert photographs, is perhaps to start in black and white, void of any color, then start by rendering it through a drawing, then paint via gray scale. I find this sort of effort, a great way to be able to understand the composition in horizon; a meeting between earth and sky...
C.T. Rasmuss
Labels:
acrylic,
artist,
Dualism,
painting,
Perception,
preparing a composition,
what is art
Monday, July 23, 2012
Art Reviews of C.T. Rasmuss
"The work is quite professional in that the artist knows what he is doing with paint, makes a composition with a visual idea in it, and executes it well."
Prof. Peter Plagens, Hofstra, Newsweek art critic; 2008.
AEQAI.com, Dustin Pike; Jan. 2012.
ZipLine C.T. Rasmuss, Acrylic (2012). |
"...“contained chaos”, small (8”X12”), mosaic-like works…Probably a dozen colors, glitter and strings of tiny black and white dots swirl in what looks like a bubbling pool of matter from which all life will spring."
City Beat, Kathy Swartz; Jan. 2012, (11-17).
"...much of his work
is abstract; sometimes viewers see shapes or patterns not seen by
Rasmuss, leading to further discussion and interpretation."
Cincinnati Enquirer, Sue Kiesewetter; Aug. 7 2012.
Cincinnati Enquirer, Sue Kiesewetter; Aug. 7 2012.
Labels:
abstract,
abstract art,
acrylic,
art,
artist,
artist integrity,
artist's influence,
Artist's Style,
creativity,
fine art,
modernism,
painting,
Perception,
taste,
what is art
Sunday, July 22, 2012
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