Thursday, December 29, 2016

Henry Wadsworth Longfellow; Ode to 'The Lighthouse' by Rasmuss

Ode to: 'The Lighthouse' (A Henry Wadsworth Longfellow poem) Watercolor by C.t. Rasmuss, 6"x4".



This Painting is an Ode to the following poem by Longfellow:

The Lighthouse


The rocky ledge runs far into the sea,
  And on its outer point, some miles away,
The Lighthouse lifts its massive masonry,
  A pillar of fire by night, of cloud by day.

Even at this distance I can see the tides,
  Upheaving, break unheard along its base,
A speechless wrath, that rises and subsides
  In the white lip and tremor of the face.

And as the evening darkens, lo! how bright,
  Through the deep purple of the twilight air,
Beams forth the sudden radiance of its light
  With strange, unearthly splendor in the glare!

Not one alone; from each projecting cape
  And perilous reef along the ocean's verge,
Starts into life a dim, gigantic shape,
  Holding its lantern o'er the restless surge.

Like the great giant Christopher it stands
  Upon the brink of the tempestuous wave,
Wading far out among the rocks and sands,
  The night-o'ertaken mariner to save.

And the great ships sail outward and return,
  Bending and bowing o'er the billowy swells,
And ever joyful, as they see it burn,
  They wave their silent welcomes and farewells.

They come forth from the darkness, and their sails
  Gleam for a moment only in the blaze,
And eager faces, as the light unveils,
  Gaze at the tower, and vanish while they gaze.

The mariner remembers when a child,
  On his first voyage, he saw it fade and sink;
And when, returning from adventures wild,
  He saw it rise again o'er ocean's brink.

Steadfast, serene, immovable, the same
  Year after year, through all the silent night
Burns on forevermore that quenchless flame,
  Shines on that inextinguishable light!

It sees the ocean to its bosom clasp
  The rocks and sea-sand with the kiss of peace;
It sees the wild winds lift it in their grasp,
  And hold it up, and shake it like a fleece.

The startled waves leap over it; the storm
  Smites it with all the scourges of the rain,
And steadily against its solid form
  Press the great shoulders of the hurricane.

The sea-bird wheeling round it, with the din
  Of wings and winds and solitary cries,
Blinded and maddened by the light within,
  Dashes himself against the glare, and dies.

A new Prometheus, chained upon the rock,
  Still grasping in his hand the fire of Jove,
It does not hear the cry, nor heed the shock,
  But hails the mariner with words of love.

"Sail on!" it says, "sail on, ye stately ships!
  And with your floating bridge the ocean span;
Be mine to guard this light from all eclipse,
  Be yours to bring man nearer unto man!"

-Henry Wadsworth Longfellow

Tuesday, December 13, 2016

Portland Headlight: I made it to Maine.


Well I made it to Maine, as I left Cincinnati October 3rd, and now just settling in...enough about me, so onto bigger and better things, such as my life's work!  As in: "one day I'll be dead" given that, my hope is that one day I'll at least have something to show for it, other than an obsolete social security number, tax records, student loan debt, etc.  lol!!! same ole same ole..

I've posted an oil painting seen above, and a watercolor seen below; of the Portland Headlight, a favorite of mine for the moment, as it is winter and very cold now: so places like Mohegan Island, Ogunquit, Prouts Neck n such will just have to wait til explorable weather returns here in the spring, sooner the better!
 

I recently became a member of the Portland Museum of Art (PMA), first time I'd ever joined a museum, but I figure it'll suit me better than a gym membership, not to mention way cheaper, and keep me in painterly shape...better than rock hard abbs ever would.  I was impressed with its wide range of selected works: from Rockwell Kent, Robert Henri, Winslow Homer to Marsden Hartley, Frank Stella, Braque and Miro also a neat local artistry of Modern Menagerie on the 4th floor.

All in all I was most impressed by Robert Henri's two 10"x8" oil studies of rocks and tides, painted here in Maine one hundred years ago.  After trying to figure out the best way to start here composition wise, his two oils further cemented my intuition that I need to get down into the "mud, rocks and crashing waves"; upon seeing his work and finding further readings on him and his Ashcan renegades from the turn of the Century, I feel as though I've picked up the scent to where he and his group "The Eight" once resided, a group which he later formed (some from the Ashcan) formed out of the ruggedness of Maine.

Much more of this to come, as I dive further into and diverge out of this Newly found Abyss, as of now I've started a new winter project:

Whale Teeth




Friday, July 29, 2016

The Wisdom of Cherry Blossoms

'Cherry Blossoms' C.T. Rasmuss, Acrylic/India Ink, 2012.  



Cherry Blossoms was part of a series in which I combined India Ink with my tessellation technique, as you will notice its composition and feel is modeled after the Japanese Prints that influenced my favorite Impressionists 150 years ago. 

As a kid up in Michigan I remember climbing and interacting with apple blossom trees, I was fascinated with the changes of the blossoms and noticing their transition into apples.  Years later in middle school science classes, we were taught this "ancient" technique of how Blossoms turn into fruit and why, n what not; after reading the poem by Toi Derricotte, I was immediately transported back to this time I forgot as child............I miss my old method of learning. 

Cherry blossoms

I went down to
mingle my breath
with the breath
of the cherry blossoms.

There were photographers:
Mothers arranging their
children against
gnarled old trees;
a couple, hugging,
asks a passerby
to snap them
like that,
so that their love
will always be caught
between two friendships:
ours & the friendship
of the cherry trees.

Oh Cherry,
why can’t my poems
be as beautiful?


A young woman in a fur-trimmed
coat sets a card table
with linens, candles,
a picnic basket & wine.
A father tips
a boy’s wheelchair back
so he can gaze
up at a branched
heaven.
                     All around us
the blossoms
flurry down
whispering,

        Be patient
you have an ancient beauty.

                                            Be patient,
                                  you have an ancient beauty.


_______________________________________________________________________________



 

 




 

Thursday, July 28, 2016

In Flanders Fields by Lt. Col. John McCrae, Poppies- a symbol of remembrance.

"Poppies"  by  CHAD, Tessellation Painting, 2015.   





In the spring of 1915, shortly after losing a friend in Ypres, a Canadian doctor, Lieutenant Colonel John McCrae was inspired by the sight of poppies growing in battle-scarred fields to write a now famous poem called 'In Flanders Fields'. After the First World War, the poppy was adopted as a symbol of Remembrance:


In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

-John McCrae


My personal reason for the painting I created was in remembrance of my Grandma, Marion Rasmussen, taught me a lot in life, thanks for serving your country through General Motors Grams!!!

Remember: Peace not War people...

amen

Wednesday, July 27, 2016

1Line-1Minute Drawings by Rasmuss: $5 ea


All these drawings are from one line, where I timed them at one minute each; I call them 1line-1minute drawings by Rasmuss.  Over the last past 12 years I've had my fare share of successes, disappointments, good shows, bad shows, etc.  All in all, I didn't start down this path to be a salesperson, I started out to see what I was capable of...

What I'm trying to say is that I'm giving this idea a shot, which is:  1line-1minute drawings by Rasmuss: $5 each please and thank you!!  This is my new plan on how to fund my career.  Who knows how it will go?...as nothing is a sure thing!  My goal:

To finally separate what I love to do from what I need to do, without compromising the former, but rather enhance my talent with each paid drawing(eliminate an ongoing conflict between artist intent & its funding).  My hope is that each 1line-1minute drawing that I sell, will ensure my success!  Its simple and straight to the point.

 thank you for your support!!

Sunflowers by Rasmuss(*30 second drawing-1line)


 Davinci's Mona Lisa by Rasmuss

Edvard Munch's The Scream by Rasmuss

1line-1minute drawings by Rasmuss, $5 each- send requests to crasmuss76@yahoo.com

-if interested, please contact me by e-mail...you pick the theme for each drawing you'd like, thank you!!

Sunday, April 17, 2016

Madonna with Child by CT Rasmuss

'Madonna with Child'  C.T. Rasmuss Lucid Mosaic, 2015.


So this is the first entry I've made since last August, what do I have to say for my slacking?...lol....well, sometimes life just takes a turn down some road which you wonder why you ever turned down that road; and you find yourself asking in the rear-view mirror, why didn't i just turn back, oh well hahaha!

I ended up with this painting which I cant wait to explain more, much more!!  I made some friends I made some mistakes, I made some art and I'm finally ready to make some more blog entries, why? because I can, lol besides how else can I talk out loud and make some sort of sense?..

Tonight I found myself working on another Lucid Mosaic, pondering the dilemmas I've encountered over the last year or so and decided the best way to finish the week was to honor the time my friend & colleague John Sousa took to photograph some of my favorite work.  "can i get a little help from my friends" is precisely why tonight was a good night to get back on track.

Like I said, can't wait to expand on this painting plus other work I've put off as well as telling you all about The Frank Stella Retrospective at the New Whitney, was a great visit and experience btw...Michelle, wherever you are or whatever your doing these days, it was a great time I'll never forget, thanks for all the good memories;) 

was a road worth traveling..

here's a link to original post if you'd like to know more about my process leading up to this finished painting: