Thursday, December 29, 2016

Henry Wadsworth Longfellow; Ode to 'The Lighthouse' by Rasmuss

Ode to: 'The Lighthouse' (A Henry Wadsworth Longfellow poem) Watercolor by C.t. Rasmuss, 6"x4".



This Painting is an Ode to the following poem by Longfellow:

The Lighthouse


The rocky ledge runs far into the sea,
  And on its outer point, some miles away,
The Lighthouse lifts its massive masonry,
  A pillar of fire by night, of cloud by day.

Even at this distance I can see the tides,
  Upheaving, break unheard along its base,
A speechless wrath, that rises and subsides
  In the white lip and tremor of the face.

And as the evening darkens, lo! how bright,
  Through the deep purple of the twilight air,
Beams forth the sudden radiance of its light
  With strange, unearthly splendor in the glare!

Not one alone; from each projecting cape
  And perilous reef along the ocean's verge,
Starts into life a dim, gigantic shape,
  Holding its lantern o'er the restless surge.

Like the great giant Christopher it stands
  Upon the brink of the tempestuous wave,
Wading far out among the rocks and sands,
  The night-o'ertaken mariner to save.

And the great ships sail outward and return,
  Bending and bowing o'er the billowy swells,
And ever joyful, as they see it burn,
  They wave their silent welcomes and farewells.

They come forth from the darkness, and their sails
  Gleam for a moment only in the blaze,
And eager faces, as the light unveils,
  Gaze at the tower, and vanish while they gaze.

The mariner remembers when a child,
  On his first voyage, he saw it fade and sink;
And when, returning from adventures wild,
  He saw it rise again o'er ocean's brink.

Steadfast, serene, immovable, the same
  Year after year, through all the silent night
Burns on forevermore that quenchless flame,
  Shines on that inextinguishable light!

It sees the ocean to its bosom clasp
  The rocks and sea-sand with the kiss of peace;
It sees the wild winds lift it in their grasp,
  And hold it up, and shake it like a fleece.

The startled waves leap over it; the storm
  Smites it with all the scourges of the rain,
And steadily against its solid form
  Press the great shoulders of the hurricane.

The sea-bird wheeling round it, with the din
  Of wings and winds and solitary cries,
Blinded and maddened by the light within,
  Dashes himself against the glare, and dies.

A new Prometheus, chained upon the rock,
  Still grasping in his hand the fire of Jove,
It does not hear the cry, nor heed the shock,
  But hails the mariner with words of love.

"Sail on!" it says, "sail on, ye stately ships!
  And with your floating bridge the ocean span;
Be mine to guard this light from all eclipse,
  Be yours to bring man nearer unto man!"

-Henry Wadsworth Longfellow

Tuesday, December 13, 2016

Portland Headlight: I made it to Maine.


Well I made it to Maine, as I left Cincinnati October 3rd, and now just settling in...enough about me, so onto bigger and better things, such as my life's work!  As in: "one day I'll be dead" given that, my hope is that one day I'll at least have something to show for it, other than an obsolete social security number, tax records, student loan debt, etc.  lol!!! same ole same ole..

I've posted an oil painting seen above, and a watercolor seen below; of the Portland Headlight, a favorite of mine for the moment, as it is winter and very cold now: so places like Mohegan Island, Ogunquit, Prouts Neck n such will just have to wait til explorable weather returns here in the spring, sooner the better!
 

I recently became a member of the Portland Museum of Art (PMA), first time I'd ever joined a museum, but I figure it'll suit me better than a gym membership, not to mention way cheaper, and keep me in painterly shape...better than rock hard abbs ever would.  I was impressed with its wide range of selected works: from Rockwell Kent, Robert Henri, Winslow Homer to Marsden Hartley, Frank Stella, Braque and Miro also a neat local artistry of Modern Menagerie on the 4th floor.

All in all I was most impressed by Robert Henri's two 10"x8" oil studies of rocks and tides, painted here in Maine one hundred years ago.  After trying to figure out the best way to start here composition wise, his two oils further cemented my intuition that I need to get down into the "mud, rocks and crashing waves"; upon seeing his work and finding further readings on him and his Ashcan renegades from the turn of the Century, I feel as though I've picked up the scent to where he and his group "The Eight" once resided, a group which he later formed (some from the Ashcan) formed out of the ruggedness of Maine.

Much more of this to come, as I dive further into and diverge out of this Newly found Abyss, as of now I've started a new winter project:

Whale Teeth