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Under The Giving Sun C.t.Rasmuss, lucid mosaic (2013). |
Rockwell Kent's: 'Adirondack Landscape
from 1940; I first came across this painting last year at The Dayton
Art Institute(and a few weeks ago I was able to re-visit and take the
photo this time); I'd heard of Rockwell Kent before, but just his
name, not much more than that, but when I came upon this painting,
instantly I had to draw it! As I quickly sketched it, as usual, with
any other work of art, I started to learn more about it's
composition, simple as it may have seemed; as it was just a landscape
with trees, a sky, and clouds. Even so, I became more and more
interested in the unique styling of these common, compositional
elements; which later without foresight, became the focus of a
200-150 hour labor intensive lucid mosaic.
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Adirondack Landscape Rockwell Kent, oil (1940). |
These compositional elements which I'm
referring to the: trees, shrubs and clouds(which I did not end up
including in the final artwork) caught my eye and gave me the idea to
turn this composition into my next lucid mosaic. The trees, which
were my favorite part overall, are how they seem realistic, but have
exaggerated openings allowing the landscape to pierce through; this
shape-like characteristic allows for unique and organic objects
possible, to be included in one of my mosaics; this goes for the
shrubs as well(and clouds if I'd included them).
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Three Hills C.t.Rasmuss, lucid mosaic (2012). |
When it came to the clouds, I had
changed my mind near the end, they just didn't seem to be enough
anymore, so I replaced them with a “majestic” sunrise &
sun-rays, for an “East meets West” touch. I believe the need for
this change was caused from the extra row of trees/shrubs I place on
the secondary wave of landscape; I did this to create and existential
component, as I believe Kent's original had a touch of it, and as an
artist in the 21
st century it's my duty to try and improve
on any work, or movement by the master's.
Click here to learn more on artist: Rockwell Kent
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Original sketch at Dayton Art Institute by C.T.Rasmuss, ink (2013). |
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