Showing posts with label Watercolor. Show all posts
Showing posts with label Watercolor. Show all posts
Sunday, November 18, 2012
'Walk the Line' by C.T. Rasmuss
Labels:
Johnny Cash,
June Carter Cash,
Walk the Line,
Watercolor
Monday, November 12, 2012
'Purple People Bridge' of Cincinnati, OH
Monday, October 8, 2012
Who are You?
The Violet Bridge, C.T.Rasmuss (2011).
What if this were any other medium, would it be the same? what if I were anybody else would it be the same? So does it matter who you are, or who you are today?
C.T.Rasmuss
What if this were any other medium, would it be the same? what if I were anybody else would it be the same? So does it matter who you are, or who you are today?
C.T.Rasmuss
Labels:
art mediums,
essence,
self awareness,
self discovery,
Watercolor,
Who am I
Saturday, September 1, 2012
"No Man Ever Steps in the Same River Twice" Art Inspired by a Philosophy.
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| Range C.T. Rasmuss, watercolor (2010). |
What do you see here? How can this come about ever again? As simple in technique as it is, it can never be done ever again; in can never en-capture the same essence or outcome. The medium here is watercolor, and water never repeats itself exactly the same as it flows; as GOD's(s) word is by 'Fire' which is the language in which the Torah is written. These words will never come to the artist again exactly the same, just like water according to the Ancient Greek philosopher, Heraclitus' - 'river'.
No matter the topic or lesson to be learned about life or our very existence and origin, the story and morals are always different as no flame is ever the same, like the (water)color from my brush. How beautiful such a mystery is, never to be solved but always to be cherished and respected for it's elusive nature, by design perhaps??
Amen!
follow the link for the inspiration and reference to this post:
http://www.websitesonadime.com/ffwic/histories.htm
Wednesday, November 24, 2010
Nature of a Painting's Outcome
| Bridge over the Sun C.T. Rasmuss, India ink/watercolor (2012). |
If an artist's state of mind is completely calculated, especially in regards to the end result of the artwork, then what conclusion can be taken from a painting that's done over an extended period of time as well; is it considered to be forced since the end result is pre-determined, with the artist unwilling to expect a more 'natural' outcome..
Therefore...is it rather the artist's ability to listen to the conversation between the brush, canvas and what is being created or what the artist has set out to do, unwilling to compromise with the unexpected; that's most in tune with the 'Laws of Nature'?
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