Showing posts with label M.C. Escher. Show all posts
Showing posts with label M.C. Escher. Show all posts

Monday, July 14, 2014

ZEN; Another Lucid Mosaic(in process) by C.T. Rasmuss.

'ZEN(in process)'  C.T. Rasmuss, Lucid mosaic(original concept by C.T.).


Here's the Lucid Mosaic I've been workin on since, late January of this year; I've posted some conceptual drawings below, in order of conception.  Just to verify to anyone who has followed my career and my original mosaic/painting method - My direct influences for this particular style is not just the pouring method of Jackson Pollock and impasto style of Van Gogh, but here particularly like my last Mosaic('Night & Day; A Modern Dilemma' by C.T. Rasmuss) my additional influences on this one are: Frank Stella for the color/grayscale effect, and M.C. Escher concerning composition and mathematics.

 
 
 

I have included these preliminary drawings to give you a sense of my preparation that goes into, coming up with the ideas for my mosaics.  Many people, other artists and professionals of all kind always talk about being afraid of others stealing their ideas; as for me, I am some what concerned, when the thought of it crosses my mind, but I feel in my heart that I'm blessed with a talent that is to be shared with those who are willing, and if my talent/idea is truly strong and unique enuff, as I 'believe' it to be, then I've nothing to worry about.
 
 
 
Enjoy and I hope you learn something, especially from how we can learn so much from the Masters..
 
 

 


Friday, January 10, 2014

Meet 'Night & Day - A Modern Dilemma' Everyone!!

Night & Day - A Modern Dilemma  C.T. Rasmuss - A technique invented by the artist. (2013-14).
Success at last!!  To spare you the details, and redundancy:  I simply accomplished what I set out to do and more!...  

I 100% believe that this is a solid artwork in everyway, and like all art, it can be built upon; but what I'm most satisfied here with is: I took a chance, a risk, a BiG! risk!  - Considering this work took me around 225 hours or more to complete, even after its original conception, and corresponding sketches.

It opened my eyes to see how Art can be separated in another way: 

Art that is & art that BECAME...

Below you'll notice two masterpieces created by two masters of the arts, that have paved the way for artists such as me; my Above art-piece is an amalgamation of my own artist intuition, direction given by the masterpieces below, and the will to discover the unknown.


                                            Day & Night  M.C. Escher - woodcut (1938).

                              Link: Day & Night blog by C.T. Rasmuss


                                 Jasper's Dilemma  Frank Stella - alkyd on canvas (1962-63).

                              Link: Jasper's Dilemma meets Modern Dilemma blog post

Oh yeah and please let me know what you think, please leave your comments - join my blog if you'd like !!  I want to hear from you, Thank you!!!

Wednesday, November 6, 2013

'Jasper's Dilemma' Meet 'Modern Dilemma'- (Rasmuss' dilemma meet Japser's dilemma).

Modern Dilemma   C.T. Rasmuss, oil (Nov. 2013).


I bought a new art book today with a 40% off coupon at Half Priced Books, a book on Frank Stella(MOMA - 1970); guess what I found on page 46?? (also happened to be my last page I chose to read for the night)

'Jasper's Dilemma' (1962-63) by Frank Stella, big whoop right?! but this happened to be a painting titled in respect to Jasper Johns, the artist that lead me to the purchase of this book; it also happens to be a very similar composition to my next mosaic I had planned.

Weeks ago, I had decided to do a geometric landscape, in respect to works I've been inspired via M.C. Escher.  Then a week ago I thought of an "inventive" way to use my geometric composition: as a side by side perspective, involving a gray-scale mosaic next to the same picture, full of color.

Modern Dilemma  C.T. Rasmuss, ink on paper (Oct. 2013).

I thought it was a genius idea, and still do, but after seeing the existence of  'Jasper's Dilemma'; I realized it wasn't totally new in it's conception, specifically in being two identical geometrical images next to each other
:(

Jasper's Dilemma   Frank Stella, Alkyd on canvas (1962-63).

Doesn't mean I'm not seeing this through, as I am! I feel that it's just the blow to my ego for good measure & the fact "the show must go on".  I also don't believe in unworthy coincidences, this perhaps is my dilemma; as I thought much of my geometric abstraction was completely new and inventive, before running into Stella haha..

One thing for certain is as far as I know, the only differing aspect of my work(in progress) is not just my mosaic method(inventive in it's own right) but that I chose my gray-scale to be on the left!..rather than the on the right!...as shown above^


Thursday, December 13, 2012

M. C. Escher, Moorish Artists of the Alhambra & Jung's 'Collective Unconscious'.

M. C. Escher, Periodic Space Filling, Utrecht, 1958:

"...periodic drawings are not merely a nervous tic, a habit, or a hobby.  They are not subjective; they are objective.  And I cannot accept, with the best will in the world, that something so obvious and ready to hand as the giving of recognizable form, meaning, function, and purpose to figures that fill each other out, should never have come into the head of any other man but me.  For once one has crossed over the threshold of the early stages this activity takes on more worth than any other form of decorative art. 
    Long before I discovered a relationship with regular space division through the Moorish artists of the Alhambra, I had already recognized it in myself. . . later the designing of new motifs gradually came with rather less struggle than in the early days.."

                  -The Magic Mirror of M.C. Escher  Bruno Ernst, Taschen (2007); pg. 45.




Above images, taken from Alhambra Palace in Spain.


Perhaps all artists encounter such a thought now and then, I know I have, and in this particular passage from Escher, I would like to particularly focus on, "...I had already recognized in myself.."


both images, by M.C. Escher.
                                                                           
This seems to be the perfect example of Carl Jung's Collective unconscious at work; a prominent Dutch artist of the 20th century, Escher's unique Periodic Space Filling method drawn from the same well perhaps.  The same well from which Moorish artists who decorated the Alhambra Palace in the 10th century, 1000 years before Escher was even conceived, and yet, without ever being introduced to these ancient motifs til after his own artistic discovery; Escher was able to produce them on his own in Northern Europe.

We can draw our own conclusions from this, but what's the best way to explain the phenomenon?  Where from, how and why does it seem that we all inherit very similar archetypes, and without ever having to see them physically? if so, where are they hidden?

I tend to agree with Jung, in that they are stored in our subconscious, and perhaps a shared subconscious(Collective unconscious), one in which we all draw from the same "well of life"..


Wednesday, October 17, 2012

M.C. Escher's 'Night and Day'

Night and Day, M.C. Escher; Woodcut (1938)

"From left to right there is a gradual transformation from day to night and from below upward we are slowly but surely raised toward the heavens . . . and the fact that this can be achieved through the vision of the artist explains, in my view, why this print appeals to so many people."

                                              The Magic Mirror of M.C. Escher, Bruno Ernst; 1978 (pg.42-43).


This seems to be a simple enough explanation for a painting.  It is universally agreed that this is a masterpiece, created by M.C. Escher.  No matter how you try to put into words, it remains so, in all aspects of: symmetry, composition, design, symbolism, technique, execution, originality, the list goes on...

Point here I wish to make is: When considering other Great Masterworks like Divinci's Mona Lisa, Velazquez's Las Meninas, Van Gogh's Starry Night, or Pollock's Lavender Mist; - it's okay if we aren't able to "capture their essence by way of words"!...because maybe their beauty(mystery of attraction and truth) which eludes the tongue or pen, would cease to exist?... 

Perhaps sometimes in life & in the world of art&creation; we can benefit more by letting what is in front of us, just take over our senses.  To let go and subject ourselves to something foreign to us, to surrender the idea that somethings(Masterworks/natures creation) need no explaining, the mere fact that they exist is enough.

If this notion appeals to you, artist or not, click below to see a really interesting work of mine, where I the artist do my best to explain it and the process of its creation "in words".  Which I dedicate my "Masterpiece"-(much of it at least) to Mr. Escher's Night & Day; titled:

 'Night & Day, Modern Dilemma'.

 I hope you'll be pleased in it's originality and dedication, as I hope to inspire the next generation in return!!   Thank you!

link: night-day-modern-dilemma


                                                                                                     



Saturday, March 24, 2012

"A Picture Worth a Thousand Calculations."; Fractal 1 by C.T. Rasmuss.

Fractal 1  C.T. Rasmuss. acrylic (2010).


This is a fractal I believe, I created a few years back; which is one of my most significant works, that has helped lead me to where I am today(to date- 2010; as an artist)...biggest influence for this, is my passion received through the works of 20th century Dutch artist, M.C. Escher!

He wasn't a mathematical nor am I, but I can see it though...hence:

    "A picture worth a thousand calculations."
                                    -C.T. Rasmuss